Once a second track is finished, it can be “bounced” to the drum track to free up another channel, and so on. In music production, the drum track is typically produced first, providing the foundation on which to build the other tracks. In some instances, a drum roll or lead riff might “slide” or “roll” (pan) from one stereo channel to the other for effect, creating a sensation of movement. Keyboards, percussion, and other instruments are also carefully placed within the image. This builds an acoustical environment, as if the band is surrounding the listener. Traditionally, vocals are centered, with lead and rhythm guitars taking up opposite ends of the mix, and drums filling the background.
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If vocals are muddy, they can be brightened.Ī good audio mixer also features panoramic potentiometers otherwise known as “pan pots.” This control places an audio track to the left, center, or right within the mix to create a full stereo image.
If the lead guitar is buried, it can be brought out front. If drums overpower the mix at some point, they can be leveled down. When tracks are played through the audio mixer simultaneously, the engineer can adjust or manipulate individual instruments or vocals to get the blend just right, as each channel has its own “lane” of controls.
By keeping each instrument on its own track, channels not only stay clean of artifacts, but the sound engineer has maximum control over every element and aspect of the project.Īn audio mixer can adjust the levels of signals coming in from various types of microphones.Įven after a track is recorded, the volume, echo, reverb, equalization, and various other effects can be applied as needed to tweak the sound. Each channel on a mixer or soundboard is dedicated to a separate track, such as one channel for drums, one for lead guitar, rhythm, bass, keyboards, and so on.
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